LADY LIMBO is the Next Best Thing…

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Writer of literary mystery novel Lady Limbo, Consuelo Roland plays a little blog tag. She was tagged by the wonderful short story writer Liesl Jobson, and here she shares a quick Q&A about her new novel Lady Limbo. 

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What is your working title of your book?

From early on I had two working titles, partly because I knew it was volume I of the Limbo Trilogy;  the one title was With My Last Breath and the other was Lady Limbo. When my agent wanted my manuscript to submit it to Jacana Media for their consideration, I hesitated over which title to use. Eventually I went with Lady Limbo, and then once we had a signed contract I mentioned the alternative title as a possibility. But Jacana Media were adamant that it should remain Lady Limbo. I think they were right in retrospect because the cover design perfectly complements the title, and as my niece pointed out “Alliteration is always good in a title!”

Where did the idea come from for the book?

A ground hostess told my mother a very sexy naughty story one long night at Charles de Gaulle Airport in Paris. Her name is forever lost in the torrential downpour of that stormy night. Lady Limbo is the story of a globe-trotting career woman whose life unravels when her husband disappears. Paola Dante’s search leads her to a mysterious international organisation that hires genetically superior men out for the purposes of face-to-face procreation.

Real Man International (aka RMI), the name of the secret organisation she visits, is an invented name, but the organization exists; it’s details reside in a ground hostess’s little black book as per her own words. It was fun to turn things around and evoke a world where men are  paid ridiculous stud fees to be at the beck and call of willful high-flying women who can afford to be extravagant. If one believes the ground hostess’s story then it’s clear that occasionally a perfectly ordinary independently-minded woman – such as  a ground hostess – might use RMI’s services, and get herself into a spot of trouble.

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What genre does your book fall under?

Lady Limbo is perhaps best described as a literary mystery novel with some big dollops of mind-twisting suspense. There’s plenty of character development as well as sex, fear and violence. The mystery genre aims to keep the reader perched on the edge of his or her seat, without being as restrictive as a whodunit. It allows for the whydunit perspective which is far more interesting. In Lady Limbo the emotional stakes are high and the internal conflict is mirrored by villainous external forces.

Which actors would you choose to play your characters in a movie rendition?

Penelope Cruz and Javier Bardem are the obvious choices for the lead roles of career woman and missing husband in the movie version of Lady Limbo. The girl at the bus-stop would be somebody newly discovered who has that ‘it’ factor which combines the innocence of freckles with wide open knowing eyes and a blonde ponytail… the daughter of somebody I know is perfect. The male half of the French villain couple should be slim, suave and able to wear a dinner jacket – maybe Ben Kingsley – and the female half should be Naomi Rapace of Girl With The Dragon Tattoo movie fame.

What is the one-sentence synopsis of your book?

Forced to hunt down Lady Limbo, the elusive internet ghost of a youthful love affair that ended in betrayal, Paola Dante risks everything and learns to trust no one in a race to find her missing husband.

Will your book be self-published or represented by an agency? 

Lady Limbo, my new novel,  is represented by an independent agency and is published by Jacana Media. It’s a more layered mystery thriller with an international setting, and the first of the Limbo Trilogy. It seemed to make sense to publish traditionally.

However, I self-published my debut novel The Good Cemetery Guide as an e-book after getting my world rights back in 2012. It provided an excellent opportunity to gain an understanding of what it means to self-publish.

How long did it take you to write the first draft of your manuscript?

It took 18 months to do the first draft for Lady Limbo, but I did two other complete rewrites before settling on the current version. In total Lady Limbo took me about four (4) years to write. I’m hoping that volumes II and III of the Limbo Trilogy go much faster because the foundation has been laid and I know the ending for each of them.

What other books would you compare this story to within your genre?

Although the plot of Lady Limbo is vastly different and more akin to a thriller in many respects, The Blind Assassin, Atwood’s mystery story of extra-marital betrayal and sexual allure with its triangular love plot and multi-layered structure had long fascinated me, and it seemed always to be in the background.

But the major influence on Lady Limbo was Stieg Larsson’s sensational Millenium Trilogy which changed the face of the crime novel in the 21st Century. I read The Girl With the Dragon Tattoo on holiday in Europe with snow falling outside my window in-between tapping away at Lady Limbo on my laptop, and addicted to Larsson’s formula, polished off The Girl Who Played with Fire and The Girl who Kicked the Hornets’ Nest in quick succession.

Who or what inspired you to write this book?

A good thriller chills our blood, readying us for a mesmerizing journey through the glowing portals of hell. I’d tackled death in The Good Cemetery Guide so it seemed like the next obvious topic was sex. But I did not want it to be soft porn; rather I had to find a way of writing a story around the issues faced by modern professional women who have a plethora of relationship and sexual choices available to them, and how girl children are affected by our sexually charged online-media society.

Lady Limbo transports us into a parallel reality where humanity’s worst instincts are at play. The “dark web” (an invisible black hole of untraceable activity) is estimated to be an incredible 15 times larger than the web we know, with more than 900 billion pages. It is a world where the illegal is openly available, providing a hidden shop window for criminal gangs and sexual predators. On the dark web innocence is traded like any other commodity

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What else about your book might pique the reader’s interest?

The perfect life… Or a beautiful lie? The seductive Lady Limbo leads Paola Dante into dark territory she never knew existed, where she must question all she knows. How far would you go for love? All the way?

Lady Limbo is a thoroughly twenty-first century story with an international setting and full of enigmatic twists and turns. Just when you think the story is going one way then it suddenly gets even more interesting and ups the ante. The shocks and surprises keep on coming at the character like she’s in a shooting arcade, dodging a hidden shooter in a world of seduction and darkness. Paola has to think on her feet all the time, or the truth will find her before she finds the truth.

As this is a blog roll, I’m handing over to Ronald IrwinKerry Hammerton and   Jacqui L’Ange who’ll be posting their blogs next week.

Tagging other bloggers who have already done the Next Best Thing: Liesl Jobson, Ann Fisher-Wirth, Susan Rich, Susan Elbe and Cynthia Reeser

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Connect with Consuelo: Website / Twitter / Lady Limbo Facebook / The Good Cemetery Guide Facebook

LADY LIMBO on the 7 new Killer Thrillers Launch!

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It’s Finally HERE!Killer Thrillers Launch

(Click image to visit site)
DOWNLOAD 7 HOT NEW THRILLERS
From BESTSELLING AUTHORS
Select titles discounted for a limited time – WIN Autographed Paperbacks
Monday, Mar. 5 – Wednesday Mar. 7

WHAT CRITICS ARE SAYING

“[TRACES OF KARA] Psychological suspense at its best, weaving a tight-knit plot, unrelenting action, and tense moments that don’t let up, ending in a fiery, unpredictable revelation.”  Midwest Book Reviews

“…she really stepped up her craft skills if that were even possible. [Roland] is really, really just a terrific talented writer.” Joni Rodgers, NY Times bestselling author 

“Russell Blake writes with a brisk intensity and pulse-pounding power. Jump in and hang on for a nonstop thrill ride.”  Scott Nicholson, Liquid Fear 

“Giacomo Giammatteo may be the Mario Puzo of our time.” eNovel Reviews

“Claude Bouchard guides you step by step through a seamy, dangerous world, while never allowing you to lose hope.” John Locke, NYT Best-selling author

“Submerged reads like an approaching storm, full of darkness, dread and electricity. Prepare for your skin to crawl.” Andrew Gross, New York Times Bestselling Author

“Rivaling both Stephen King and Thomas Harris, without doubt, the edgy and provocative Luke Romyn is destined to emerge as the 21st Century’s new Master-of-Horror.” Dee Marie, Award-winning author 

DOWNLOAD YOUR BOOKS HERE

LADY LIMBO: chilling ‘out there’…

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‘Out there’ means Lady Limbo is dancing up and down the land in her dancing shoes. Friends and family are sending me photographs of bestseller bookshop shelves and saying nice supportive things.

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One of the photos thrills me. Sharing a shelf with J.K. Rowling feels amazingly good; until the niggling thought arrives that maybe the bookseller was just looking for a good contrast of cover colors so that readers could spot the J.K. Rowling book quicker!

This is what happens to us small fish after a while; one loses that brazen swagger and becomes a self-pitying mess. But wait, it’s crazy, I mean there are a lot of blue novel covers around this year, it’s pretty much a blue cover year; they could have chosen one of those other novels, but they didn’t, they chose Lady Limbo. So I revert to feeling pleased as punch which is a far better feeling!

Occasionally I open up one of the photos I’ve been sent of Lady Limbo on a bookshelf and test myself – Is there an awkward  umbilical connection? Do I feel the need to protect? The answer comes easily; it’s “no”. I recognise the feeling of separation.

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This teenager doesn’t need me to hold its hand any longer; it’s grown up enough to go out to rave book shops on its own; and in the hectic book world of bestsellers nobody says “Hey, I know your mom, she’s a really cool person, no wonder you’re so well put together!” No, in that world you arrive dressed to kill, and you float there chilled in blue champagne, and a frisson of excitement passes through the book crowd, the true sign of a good killer thriller!

LADY LIMBO: Countdown to release…

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Lady Limbo is about to explode into the galaxy where people are born and eat and sleep and have sex and die and read…

This is not the same galaxy as where I write, so I shall find it strange to see her so apart from me on a bookshop shelf, quite indelible and quite unchangeable.

Watch the sky for her arrival… She’ll surprise you, she’ll arouse you, she’ll be worth the wait.

LADY LIMBO: Volume I of The Limbo Trilogy

Today is the day I know LADY LIMBO has made it out of my head into the big world. They say if you manage to write a second novel and get it published then there’s a chance you’ll be a writer after all. After all the vagaries of a first novel they mean… After all the wondering if you’ve actually got what it takes to stay the course.

So after months of uncertainty and endless glitches this cardboard box arrives and I open it and there they are – my 10 author’s copies of LADY LIMBOFinally, the most amazing cover any author could ask for – it takes my breath away like the first time I saw it.  LADY LIMBO in all her sexy glory. The one who has possessed me for six years, run fleet and bare-footed around all my objections and simply refused to take herself away and leave me in peace.

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Wow, did I write that?

My mother asks “I wonder if she knows she’s on your cover?”  Awesome. She’s right, the cover model herself is another Lady Limbo, somewhere out there in a dimension that isn’t quite here or there, but lending her body to symbolise an idea somebody else had. There she is, a shining creature caught between heaven and hell, an incantation that invented herself, floating in limbo…

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LADY LIMBO is out in the world now… What will they make of her?

JOYCE CAROL OATES: This Love Has Come Upon Me Slowly…

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This love has come upon me slowly, quite unsought for and quite unexpected. I see now that it has stealthily wormed into way into my heart, this love of the intricate way you work upon words. The craftsmanship is so honest, so dedicated, so pure, that it was perhaps inevitable that I should succumb, but I did not see it coming, and this is unusual, for one who cannot contemplate life without reading words to find a pattern.

See more: http://consueloroland.com/essays/

Ad astra per aspera

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My mother believes in reading your stars. That’s one excuse I have for checking my horoscope every day. The other is the scuffed-yellow paperback of Linda Goodman’s Sun Signs that sits on the bookshelf next to my dictionaries, harking back to a lovelorn student. My preoccupations are just different these days. Today’s Your Stars by Jonathan Cainer predicts: ‘The grand trine has picked you up by the scruff of your neck and is whipping you away from trouble. Never mind how or why. Just be glad.’

Boy, am I relieved things are looking up. I’m glad, believe me, really, I am. Once I’ve stopped wondering who the hell the grand trine is. I never claimed to be very au fait with matters astrological. When I look it up the following is presented: The strength in the pattern of the Grand Trine is when the individual uses the Grand Trine to their maximum advantage and sets their goals accordingly, thereby reaching their goals with incredible success. http://www.drstandley.com/astrologycharts_grandtrine.shtml#Fire

Could it possibly be referring to the hearse cover saga for The Good Cemetery Guide e-book? Read about that here sometime soon. Or is that I’ve finally accepted there’s no overnight spell to turn me into a Catherine Ryan Howard clone with sparkling wit and buoyant personality? That’s what she’s been saying all along and I finally get it. Lots of blogs use pictures from stock photo sites. And clearly ‘Consuelo, Chocolated’ won’t do. Everybody will think it’s a chocolate foodie site of some sort. And yes, I could have said ‘Writer, ballerina, straight-haired’ in my tagline. Once upon a time, feeling fat and frizzy-haired, I indulged in the harmless day-dream of being the next Dame Margot Fonteyn, but that was so I’d get to dance with the sublime Rudolph Nureyev.

So what if I’m not the most original blogger ever to hit the airwaves? I’m not the only writer who is using someone else’s visual images to market my stories. But that’s okay I’ve finally decided. So long as I acknowledge the artist. All respect to JH Lynch. And so long as the words are mine.

JH Lynch in Kalk Bay

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 I’m no expert on art and I’m no expert on JH Lynch. I discovered the mystery artist quite by mistake in Kalk Bay. You really shouldn’t walk into Big Blue if you set out that morning planning not to buy anything except a cup of coffee or an ice-cream. I ended up buying a set of 6 coasters for R120.00 that reminded me of the Roman Noir covers I’d been perusing while doing research for a new thriller. My latest character is a bit of a femme fatale herself and there was something reminiscent about these women; as if they were all part of dream encounters I’d been sorry to leave behind.

Without really thinking about it I commented how amazing (I meant mesmerizing) the women’s faces on the coasters were. The shop assistant at the cash till said the artist was somebody Lynch. Did you say David Lynch? I asked, mishearing. No, she said, giving me a quick look, realising I didn’t actually have any idea. That’s how I discovered JH Lynch, right there in Kalk Bay, the atmospheric seaside town where Anthony Loxton hijacked my imagination one dark night long after midnight, resulting in The Good Cemetery Guide. There’s something about the place; I always seem to find something I don’t even know I’m looking for. No, for the record, I don’t live there. I just pass through occasionally. That’s the nature of our relationship and it suits us both. Neither of us gets bored with the other that way.

So now I have three of JH Lynch’s fabulous femme fatales gracing my header after months of sitting on my desk lending me inspiration.  When the right energy was lacking I’d shuffle them between my hands like tarot cards, marvelling at the full-lipped seductive power of those expressive faces - women with a certain bring-it-on laissez-faire attitude to love.

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QI: JH Lynch’s pictures appeared in Kubrick’s Clockwork Orange. Did they epitomise kitsch? Or did Kubrick employ their temptress power on a subliminal level to draw us into his game? Rumours persist that JH Lynch was a woman.

CATHERINE RYAN HOWARD: Oh for the love of fudge

So. Catherine Ryan Howard is my guru. My guru says ‘Oh for the love of fudge.’ Isn’t that retro and cool? Never had a guru before. I have become slavishly devoted to everything she says because she is going to teach me how to be more than ‘just a writer’. The problem is I don’t have good ideas like hers. I’m going crazy trying to find a good blog name never mind do all the rest. The best I can come up with is Consuelo, Chocolated. It is clear plagiarism of Catherine, Caffeinated and not as smart or as humorous. Chocolated also reminds me of Charlie and the Chocolate Factory which is not good. This means I’m the most unoriginal person on the planet. Why can I dream up  story after story but I can’t come up with a name for a Writer’s blog that is glittering with the smarts, never mind a bright tagline that is part of the whole cohesive trip… How do you compete with ‘Writer, Astronaut, Skinny’? I ask myself. ‘Writer, Ballerina, Straight hair’, is the best I can do. But it sounds lame because I’m copying Catherine. I’ve been on first name terms with my guru for a while. Copying is not good. The problem is this whole marketing yourself thing is a bit like writing an unbelievable story about myself and that’s where it comes undone; the non-fiction of my existence doesn’t excite me. I like to make it all up; none of it must ever have existed before. Catherine says all one has to is have a cohesive concept and stick to it – brand yourself in other words. So she does pink the whole hog, and normally this could be girlish and a bit mundane – but she has this very cool picture of a retro pink tea-cup (much prettier than a coffee mug) and super-retro pink typewriter and it’s practically irresistable. Right now a cohesive concept is eluding me. What is my unique angle? What do I have to share that anybody else might want to know about? Oh for the love of fudge…!

The Lighthouse Cat

Did you hear the true story about the lighthouse keeper’s pet cat that managed to wipe out a whole species of songbirds endemic to New Zealand single-handedly? Apparently this is the only known case of a single individual achieving that dubious distinction. It seems strangely ironic and so typical of our natural history; a tragedy almost kafkaesque in its inevitability and yet it shocks us. The extinction of a species is a huge thing to contemplate: the murder of an entire community; decimation on a scale of absolutes. It’s hard to accept forever as a reality. Surely somewhere on some other remote protrusion of land this foolish bird still sings? Perhaps all our natural scientists and field students have simply not found it?

I had the lighthouse cat at the back of my mind as I read the captivating The Story of Beautiful Girl . The lighthouse motif is used extensively and effectively to structure an epic story of indomitable love in the face of near-impossible circumstances. A much-used familiar theme but in this case skilfully crafted and alive with sincerity.  Rachel Simon takes the idea of a lighthouse symbolising safety, moves from the existence of a unique postbox on a farm (a lighthouse with a man’s face that pops up when there are letters), extends the visual symbol to it’s fictional ‘real-life’ equivalent (a coastal lighthouse with a man’s face in front) and succeeds in keeping us glued to the page while she unwraps an intricate human drama around this major lighthouse metaphor with great sensitivity and empathy.

SPOILER ALERT!!! Read no further if you intend to read this novel…

I foresaw the happy ending but not the lighthouse’s major role; such a neat circling back to those first amazing 20 pages. How I admired the fact that Simon took her structural vision for her novel and ran with it! Simon goes where many authors are told not to go; she is unashamedly sentimental in handling a difficult subject; love between a deaf black man and a mentally challenged white woman who have been institutionalised and ignored by society. I wasn’t too sure about the race difference being necessary but that’s what’s admirable; Simon takes her story all the way; no holds barred; as far as she can, to make it absolutely clear that their bond is immutable; to squeeze every last bit of emotion out of the reader that she can. But in the background I had the disturbing image of a vicious predator, the lighthouse cat, chomping away one little bird at a time…

Is that what fiction should do? Take us away from the cold Darwinian hearth of real-life?  Give us hope? Make us believe there’s always one songbird left, somewhere? T.S.Eliot said that the human race can’t bear too much reality. I suspect he was absolutely right; especially if you want a NY Times bestseller. Imagine the novel had ended with the lighthouse man metaphorically imprisoned in his tower (aka. lighthouse), consumed with sorrow and loneliness as he waits for the beloved who will never come… Nothing comforting about that. Real life, like lighthouse cats, can’t be controlled, but we can choose which books we choose to read and pass on by word-of-mouth to others. There’s probably a lesson there for writers wanting to join Simon on her New York Times Bestseller pedestal.

On the other hand happy endings don’t make us distraught or induce weeping and they don’t make us tremble; the thunder of unspeakable tragedy does. My physical responses to We Need to Talk About Kevin included dizziness nausea and weepiness, but I could no more have stopped reading than I could have stopped breathing. A marvelous book attacks you in the solar plexus and never lets you go. Perhaps, after all,  humans are more robust than we might expect. Perhaps we need both kinds of endings, to remind us that lighthouse stories come in many guises. When does craft move into the arena of art? Is it not when the work itself can move the human heart in a new direction? And is the author who presents the possibility of joy any less an artist than the one who speaks of pain?

I can’t help thinking what a great short story The Lighthouse Cat would make. It should be full of carnage and destruction and unbearable pathos.  It should be intensely disturbing; we should see the lighthouse lamp as a speck in the eternal void, hear the diabolical pet cat purr in the light-keeper’s arms.

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