Your story needs two hearts | Roz Morris

I love Roz’s original take on what I call the chiaroscuro effect – playing with the unbearable lightness of being (forever grateful to Kundera!) and keeping the darkness at bay is what fiction is all about. Roz’s idea gives a different more architectural perspective that suggests a 3D way of walking around within the story. 

Roz Morris @Roz_Morris's avatarNail Your Novel

heartsStories need two hearts. I’m going to call them the warm heart and the dark heart.

The warm heart is the bond we feel with the central characters. It is the pleasure of spending time in their company. I hesitate to call it liking; it may not be so simple. Our attachment may be to just one person and their flaws and troubles, or it may be to a web of relationships. It is affection, but rough-edged. It is warm, but it might not be cuddly. It’s push and pull, trouble and strife, idiocies and idiosyncrasies. But it is where the reader feels at home.

And then there is the dark heart. The dark heart is jeopardy. The shadow at the end of the alleyway. The characters may have other problems in the story. They may fight miscellaneous foes. But the dark heart is an ultimate disturbance that will…

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Throwing away paper stars

A year ago I decided to start doing more reviews of the books I read, partly to gain exposure, and partly out of curiosity. How could I understand reviewers if I’d never walked in their shoes?

My favourite genre is literary fiction. The longer the better. I’m attracted to big fat books that will take forever to read and will end up giving me neck-pain from carrying them around. The more serious and enigmatic the better. The only books that made me laugh in a sustained belly ache fashion were P.G. Wodehouse‘s Jeeves books and Gerald Durrell‘s animal family books. John Irving has made me laugh in a different way; with Irving laughter is painful because it highlights what being truly human involves. I find most books which aim to be entertaining boring. I like them complex, devious, mysterious. I’m apt to wallow in all that chiaroscuro atmosphere like a kid in a mud pond. I guess you could say I’m a niche market voracious reader.

Today a voracious reader is called a rabid reader; that tells us something about a new generation of online consumers. In the small towns of my growing up years there were no bookshops, only libraries: plain covered volumes were extracted from plain shelves in plain local libraries and handed to plain librarians week after week, year after year.  Mostly we’d take a chance on the story title. A new author was an adventure waiting to unfold; their books wouldn’t be in the library if they couldn’t write. What mattered was what was inside, not the packaging. There was one thing though that was the same. We took those free books as our due. So why are we so surprised by the Internet model?

How does one shift one’s perspective to get away from a lifetime’s subjective absorption  and review the work of others in a fair and discriminating fashion? The life of a writer is a work-in-progress. Asking someone to review one’s novel or short story or poetry collection is an act of faith; the writer trusts that the reviewer takes their work seriously or why do the review?

gold star

If one assumes that the acknowledged masters of English Literature (such as Brontë, Faulkner, HemingwayShakespeare etc.) are what we (as serious writers and readers) aspire to, then the old literary favourites are logically the only 5’s there can be – the pinnacle of the star system.

De kinderjaren van Jezus_Coetzee

Where does that leave us with novels by Atwood, Coetzee, Irving, Mitchell, Oates, Ondaatje, Shriver and others who exhibit exemplary dedication, skill and that something ‘extra’ again and again? Where does that leave us with up-and-coming writers who with brilliance, ingenuity, word dexterity and bravado energetically pursue the prizes and take on the current generation of literary greats?

On a different, but no less confusing note, is it fair to compare a superbly composed novel (with all the gravitas of a major publishing house behind it) with an Indie novel which is rougher and rawer but is more accessible  (usually an e-book) and has sold more volumes  (although net sales worth may be far less than a traditionally published book).

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The more reviews I undertook the more my head spun; it was an impossible task to do justice with stars; I was allowing myself to be seduced by a consumer-orientated star system which demanded simplistic judgements based on a highly personal read. Adding objective criteria didn’t help. I still couldn’t fathom how an Indie bestseller could be fairly evaluated on the same star chart and by the same criteria as Lionel Shriver‘s meticulously crafted We Need To Talk About Kevin or David Mitchell‘s monumental epic achievement Cloud Atlas.   I became increasingly convinced that review stars were false symbols which collapsed meaning.

Why isn’t the work of visual artists measured with stars? Because it would be a meaningless pointless exercise. Every painting exerts a unique force of push and pull on the observer. Or the work of a composer? Because it would be ridiculous, laughable to assign a concerto 3 stars as it is being performed on the stage. It is recognised for what it is; its own unique design and execution. Why should a piece of writing be any different?

It’s liberating to throw away a whole influential star system and try being a different kind of reviewer. It feels like the only thing to do if I want to be worthy of the writer’s act of faith.

***A different view on  reviews: “I’ve decided to stop calling these ‘reviews’. I’m not trying to be a professional reviewer…”.

LADY LIMBO on the 7 new Killer Thrillers Launch!

It’s Finally HERE!Killer Thrillers Launch

(Click image to visit site)
DOWNLOAD 7 HOT NEW THRILLERS
From BESTSELLING AUTHORS
Select titles discounted for a limited time – WIN Autographed Paperbacks
Monday, Mar. 5 – Wednesday Mar. 7

WHAT CRITICS ARE SAYING

“[TRACES OF KARA] Psychological suspense at its best, weaving a tight-knit plot, unrelenting action, and tense moments that don’t let up, ending in a fiery, unpredictable revelation.”  Midwest Book Reviews

“…she really stepped up her craft skills if that were even possible. [Roland] is really, really just a terrific talented writer.” Joni Rodgers, NY Times bestselling author 

“Russell Blake writes with a brisk intensity and pulse-pounding power. Jump in and hang on for a nonstop thrill ride.”  Scott Nicholson, Liquid Fear 

“Giacomo Giammatteo may be the Mario Puzo of our time.” eNovel Reviews

“Claude Bouchard guides you step by step through a seamy, dangerous world, while never allowing you to lose hope.” John Locke, NYT Best-selling author

“Submerged reads like an approaching storm, full of darkness, dread and electricity. Prepare for your skin to crawl.” Andrew Gross, New York Times Bestselling Author

“Rivaling both Stephen King and Thomas Harris, without doubt, the edgy and provocative Luke Romyn is destined to emerge as the 21st Century’s new Master-of-Horror.” Dee Marie, Award-winning author 

DOWNLOAD YOUR BOOKS HERE

LADY LIMBO: chilling ‘out there’…

‘Out there’ means Lady Limbo is dancing up and down the land in her dancing shoes. Friends and family are sending me photographs of bestseller bookshop shelves and saying nice supportive things.

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One of the photos thrills me. Sharing a shelf with J.K. Rowling feels amazingly good; until the niggling thought arrives that maybe the bookseller was just looking for a good contrast of cover colors so that readers could spot the J.K. Rowling book quicker!

This is what happens to us small fish after a while; one loses that brazen swagger and becomes a self-pitying mess. But wait, it’s crazy, I mean there are a lot of blue novel covers around this year, it’s pretty much a blue cover year; they could have chosen one of those other novels, but they didn’t, they chose Lady Limbo. So I revert to feeling pleased as punch which is a far better feeling!

Occasionally I open up one of the photos I’ve been sent of Lady Limbo on a bookshelf and test myself – Is there an awkward  umbilical connection? Do I feel the need to protect? The answer comes easily; it’s “no”. I recognise the feeling of separation.

Lady Limbo in Cape Town_Marcellax

This teenager doesn’t need me to hold its hand any longer; it’s grown up enough to go out to rave book shops on its own; and in the hectic book world of bestsellers nobody says “Hey, I know your mom, she’s a really cool person, no wonder you’re so well put together!” No, in that world you arrive dressed to kill, and you float there chilled in blue champagne, and a frisson of excitement passes through the book crowd, the true sign of a good killer thriller!

LADY LIMBO: Countdown to release…

Lady Limbo is about to explode into the galaxy where people are born and eat and sleep and have sex and die and read…

This is not the same galaxy as where I write, so I shall find it strange to see her so apart from me on a bookshop shelf, quite indelible and quite unchangeable.

Watch the sky for her arrival… She’ll surprise you, she’ll arouse you, she’ll be worth the wait.

LADY LIMBO: Volume I of The Limbo Trilogy

Today is the day I know LADY LIMBO has made it out of my head into the big world. They say if you manage to write a second novel and get it published then there’s a chance you’ll be a writer after all. After all the vagaries of a first novel they mean… After all the wondering if you’ve actually got what it takes to stay the course.

So after months of uncertainty and endless glitches this cardboard box arrives and I open it and there they are – my 10 author’s copies of LADY LIMBOFinally, the most amazing cover any author could ask for – it takes my breath away like the first time I saw it.  LADY LIMBO in all her sexy glory. The one who has possessed me for six years, run fleet and bare-footed around all my objections and simply refused to take herself away and leave me in peace.

A box full of Lady Limbo
Wow, did I write that?

My mother asks “I wonder if she knows she’s on your cover?”  Awesome. She’s right, the cover model herself is another Lady Limbo, somewhere out there in a dimension that isn’t quite here or there, but lending her body to symbolise an idea somebody else had. There she is, a shining creature caught between heaven and hell, an incantation that invented herself, floating in limbo…

Lady Limbo
LADY LIMBO is out in the world now… What will they make of her?

Aluta Continua!

A “QUIRKY, DELICIOUS” NOVEL DESERVES A QUIRKY & DELICIOUS COVER …: Status as @ September 2012 

The latest... "Quirky, delicious" cover!

“Quirky, delicious, finely wrought literary fiction I highly recommend for fans of Annie Proulx, Anne Tyler and Audrey Niffenegger.” I can’t believe Joni Rodgers, of New York Times multiple bestsellers fame said something so nice about The Good Cemetery Guide!
She had lots of nice things to say… but one big negative. Joni thought the cover was ‘butt ugly’ (Oh dear!).  Aluta Continua!
A "Quirky, delicious" novel...

The latest… “Quirky, delicious” cover!

So a new version of The Good Cemetery Guide cover replaces the previous version. Actually, it’s not so much ‘new’ as revamped so that the thumbnail works better (title and author’s name clearer) and a new background colour with a more romantic feel to it. So, hopefully enough changes to identify it as romance-suspense or literary fiction. I realise more and more how important it is to find your audience… and that’s where strong genre branding helps.
Lesson 1 Learnt: Do as much as you can yourself. The chances are good you’ll prefer it to what other people will do for your book. And at least you can only blame yourself!
Lesson 2 Learnt: It’s no good blaming the cover designer; you have to know what you want. I’ve gone back to the original cover design with the hearse which I still like. It just didn’t work so good for a thumbnail. I hope it’s better now, but after several quite different cover designer experiences, I realise with hindsight that cover design, like most things, is not a straight line between two points but rather a journey over hills and vales on a zig-zag path…

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 

 

Pretty Hearses

PRETTY HEARSES & E-BOOK COVERS: COVER DIARY:  Status as @ June 2012 

I promised myself no regrets or rancour – just to move on and learn from my cover adventures. What I didn’t quite get starting out is that choosing a new cover is a bit like most things in life. Perfection is rare and it usually comes at a price.

“The Good Cemetery Guide” – e-Book cover designer added special font to improve thumbnail legibility

The e-Book cover design for The Good Cemetery Guide, was severely constrained by budgetary considerations. The best piece of advice I can offer with hindsight is to take a more measured approach to the selection of the cover designer. I couldn’t afford the professional cover designer I wanted so I swung over to the other extreme and went for the first cover designer recommended on a fellow writer’s blog, figuring the cover looked professional and the service was cheap. There are all kinds of caveats to this impetuous approach. 1) Does the cover designer have (any) e-Book cover experience?

“All The Pretty Hearses” – vivid and original

2) Have you checked the e-Book covers they have done and do they make your heart miss a beat? 3) Do the e-Book covers work as thumbnails? In other words is the title and your author’s name clearly legible, as well as the background image? If not, move on to another cover designer. 4) Have you checked the e-Book distributor you want to use (as well as others you don’t plan to use) for a list of recommended cover designers? The cover designers on these lists are usually VERY experienced at doing e-Book covers (what you are looking for, remember?) which means they work quickly and effectively to your brief and hence offer their services at a reasonable rate.

“Heaven in a Hearse” – sexy and attractive

5) Do you have a clear brief/idea of what you want? Make no mistake, if you don’t it’s probably going to be a long protracted process. 6) Is there a particular image/photo you want on the cover? For example, in the case of The Good Cemetery Guide I’d had the idea of a hearse for ages. If so, do your research beforehand, get the necessary permission to use it (in my case involved negotiations), and make sure you have the picture ready to go. The alternative is that the cover designer sources the picture and you take the knock of their higher fees, the fee for usage of the source image, and the additional time impact on your cover design project. 7) Can’t make up your mind as to which cover direction to go?  Know any book clubs you can approach? Why not do a mini survey amongst readers to see what they think? Don’t expect one cover to stand out as the clear winner.

“Inherent Vice” – Pynchon found the Cadillac photo

In my case it was almost a tie between three different covers. In the end I went with a favourite, the hearse cover, (that put me in good company with other pretty hearses as you can see from these examples) but we eventually used another design layout and concept because the hearse photo owner didn’t want the beautiful Cadillac hearse to look scratched or as if it suffered from a fungal infestation … Understandable. 8) Are you going to self-publish a Print on Demand (POD) version some day? Prepare the back cover as well in this case because that way you’ll have it ready and looking exactly like your e-Book cover. 9) And you thought that figuring out the formatting requirements for your e-Book was tough? Wait until you try to figure out the cover requirements. E-Book distributor instructions are frequently confusing and not detailed enough for authors who aren’t familiar with graphics packages. Enrol yourself on community forums and don’t be shy. But remember, if you’ve appointed an e-Book experienced cover designer familiar with YOUR distributor (Amazon Kindle & Smashwords in my case) then they prepare the covers for you with exactly the right pixel dimensions etc. 10) What image design software do you use? I have Corel Paint Shop Pro. My designer had Adobe Photoshop. Guess what? Source files created on the one piece of software can’t necessarily be edited by the other. Quite a revelation to the average uninitiated control freak writer. 11) Have you given any thought to what files you want at the end of the project, how many cover designs are included, how many changes/modifications are allowed in the standard fee, and whether all designs belong to you, or only the one you eventually select?  A simple written agreement can be very useful to clarify expectations up front. Remember, cheap is as cheap does…

“The View from a Hearse” – pinked-up version

LESSON 1: FIND AN EXPERIENCED
E-BOOK COVER DESIGNER! Yes, I am yelling, because this will save you lots of time,money and heart-ache. Trust me on this one.

LESSON 2: If the thumbnail doesn’t work, the e-Book cover doesn’t work.

LESSON 3: Accept that it won’t be perfect this time round (if it isn’t) and aim to improve it in the future. There’s no shelf life on an e-Book! You can always improve it later.

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RESEARCH: ONE BOOK MANY COVERS The World According to Garp Audiobook

The WOW Factor

 

I have a bit of an obsession I have to admit to – call it Covers OCD.

Cover scan of a Wow comic nº 38.

In the days when I read every Famous Five book that Enid Blyton ever wrote I never thought about covers consciously. But looking fondly at the old friends I kept I notice now they all have a colourful cover; a certain look that tells me what’s awaiting me; never-ending adventure stories where nothing too bad is going to happen. Not much later Classic and Superhero comics started arrived in boxes, rescued by my father from the paper mill’s waste-paper depot where they were destined to be pulped into bagasse. Maybe that’s where it started; the first awareness of dramatic cover design.

Anyway, to cut a long story short. I strongly disliked the first published cover of my first novel The Good Cemetery Guide, changed from a quirky/arty (in my view) pink and red hearse artwork to a funereal white lily jacket which proved to be oddly popular with many readers.  Now I have the opportunity to do exactly what I want and while it’s liberating it’s harder than I thought. So I’ve started a Covers topic which I’ll add to as time goes on with useful links and information gleaned.

17 March 2012: Stumbled upon an interesting article on Createspace Community about the importance of genre when selecting a cover. Seems obvious, no? But it isn’t, as I’ve discovered. People have all kinds of subjective reasons for why they like or dislike covers (myself included). In the end it has to be about book sales. Which cover will attract the attention of online readers so word-of-mouth and good reviews will exponentially attract other online readers?

That’s what finally helped me decide on the new cover for the new e-book and POD version of The Good Cemetery Guide. I decided to listen to the experts. Thoughtful insightful people in the book business took the time to choose one cover above all others using terms like ‘genre-appropriate’. It wasn’t the cover that got the most votes in my little market research exercise; sometimes the minority view prevails, especially if it’s based on more experience and knowledge about what drives book sales.

Ad astra per aspera

My mother believes in reading your stars.

That’s one excuse I have for checking my horoscope every day. The other is the scuffed-fullsizeoutput_1e5ayellow paperback of Linda Goodman’s Sun Signs that sits on the bookshelf next to my dictionaries, harking back to a lovelorn student. My preoccupations are just different these days. Today’s Your Stars by Jonathan Cainer predicts:

The grand trine has picked you up by the scruff of your neck and is whipping you away from trouble. Never mind how or why. Just be glad.’

Boy, am I relieved things are looking up. I’m glad, believe me, really, I am. Once I’ve stopped wondering who the hell the grand trine is. I never claimed to be very au fait with matters astrological. When I look it up the following is presented: The strength in the pattern of the Grand Trine is when the individual uses the Grand Trine to their maximum advantage and sets their goals accordingly, thereby reaching their goals with incredible success. http://www.drstandley.com/astrologycharts_grandtrine.shtml#Fire

Could it possibly be referring to the hearse cover saga for The Good Cemetery Guide e-book? Read about that here sometime soon. Or is that I’ve finally accepted there’s no overnight spell to turn me into a Catherine Ryan Howard clone with sparkling wit and buoyant personality? That’s what she’s been saying all along and I finally get it. Lots of blogs use pictures from stock photo sites. And clearly ‘Consuelo, Chocolated’ won’t do. Everybody will think it’s a chocolate foodie site of some sort. And yes, I could have said ‘Writer, ballerina, straight-haired’ in my tagline. Once upon a time, feeling fat and frizzy-haired, I indulged in the harmless day-dream of being the next Dame Margot Fonteyn, but that was so I’d get to dance with the sublime Rudolph Nureyev.

So what if I’m not the most original blogger ever to hit the airwaves? I’m not the only writer who is using someone else’s visual images to market my stories. But that’s okay I’ve finally decided. So long as I acknowledge the artist. All respect to JH Lynch. And so long as the words are mine.

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